EN 中
2022
序曲 No.42
150X160 cm
亚麻布面丙烯
Prelude No.42
59x62 in
Linen and acrylic
            
                
Curatorial literature:The beautiful rhythm of the brushstrokes

—— Xia Kejun
(Philosopher, Curator, Doctoral supervisor, Renmin University of China)

Continuous creation, writing again and again, ascetic practice can also be cultivation, painting is to let the brush marks with their own colors, as well as strong emotions, the day after day of joy and pain, even the long suffering and waiting, become vertical strokes, it seems to be every fluctuation of thinking and emotions
Li Peng's Painting Art: Color Is Emptiness—or a Space Filled with Color

—— Xia Kejun
(Philosopher, Curator, Doctoral supervisor, Renmin University of China)

Painting is work, and the work of abstract painting is to immerse yourself in the breath of color, so that the colors can be fully and abundantly displayed on the two-dimensional canvas piece by piece. This requires protracted work, one piece after another, one picture after another. The color block seems to become the rhythm of time and space, from small squares to large squares, single color or several color blocks. The color block is not a color, but a breathing element; painting is no longer the object of depiction, but it becomes a part of life.
四时 致远

—— 郭小力

艺术家李鹏于2024年全新创作的、充满了视觉力量的实验性艺术装置“四时”,首度在宁波鄞州区云龙镇的川里美术馆户外田野呈现。作品聚焦于时空与色彩之间一年四季中的变化,在循环往复中,艺术家重新审视和体会自身与宇宙的关系